January’s afternoon sun shed it’s light into the greyish garden and on the greenery. The trees whispered of spring, hopefully. But the water hold it’s breath, still afraid of returning ice.
Enter the garden through an romantic iron gate and follow the pathways to the white bridges which cross that little venicelike hideaway of islands and riparian rivershores. Neoclassical sculptures hide in wooden boxes to shelter them of freezing days and nights.
A garden with rooms
In warmer times busts and sculptures peep at visitors strolling through the garden’s rooms which were developed by writer Hermann Sudermann who lived permanently in the masion from 1902 onwards. The garden was originally created by famous prussian gardener Peter-Joseph Lenné in the 19th century. Sudermann however built closed areas around a temple and a small roman palace, installed roman busts and marple benches, creating an ancient mediteranean atmosphere. He only forgot to bring mediteraniean weather to the estate.
In winter the Sudermannpark, which is the official name of the garden, lacks italian flair but invites you to a walk under beautiful silhouettes of old trees in the wide land of Mark Brandenburg.
Hermann Sudermann published in the literary magazine of “Die Gartenlaube” (gazebo/small loggia), himself a garden lover. The small loggia however was a roman domus which still inherits the garden.
Rudolph Stratz, a writer himself, summarized his meeting with Sudermann in the garden, while Sudermann introduced him to one of his new plays, “The Three Heronfeathers”, in 1897.
Sudermann’s literary and dramatic work has been widely forgotton. But his garden concept outlives him until today.